電影魚缸講的什麼

① 急求電影魚缸 英文影評

你好!這是IMDB網(國外的影評網站)上最熱門的《魚缸》"Fish
tank"的影評--
"All
my
films
have
started
with
an
image,"
says
director
Andrea
Arnold.
"It's
usually
quite
a
strong
image
and
it
seems
to
come
from
nowhere.
I
don't
understand
the
image
at
first
or
what
it
means,
but
I
want
to
know
more
about
it
so
I
start
exploring
it,
try
and
understand
it
and
what
it
means.
This
is
how
I
always
start
writing."
What
does
the
image
of
a
fish
tank
conjure
up
for
you?
On
the
inside
longing
to
look
out,
is
fifteen-year-old
Mia.
Trapped
in
a
housing
estate.
Trapped
in
a
single
parent
family.
Trapped
by
people
around
her
she
can't
respect.
Trapped
in
herself.
For
being
fifteen.
She
has
her
own
inner
world,
fighting
to
manifest
itself
.
Fortified
by
cigarettes
and
alcohol
she
can
kick
in
the
door
of
the
empty
nearby
flat.
A
bare
floor.
Her
CD
player.
Practice
her
moves.
A
better
dancer
than
those
kids
on
the
block
she
just
nutted.
Mia
is
quite
content
to
carve
out
her
own
double
life,
f*ck
you
very
much!
Never
mind
she
gets
caught
and
nearly
comes
to
grief
trying
to
steal
a
horse.
And
social
workers
don't
scare
her.
But
mom's
new
boyfriend
–
that
could
be
a
pain!
A
real
spanner
in
the
works.
Especially
when
he's
so
annoyingly
nice.
Under
Andrea
Arnold's
hand,
life
on
this
inner
city
concrete
backwater
is
suddenly
very
alive.
Banalities
become
beautiful.
Like
sunlight
through
cracked
glass.
Vibrant,
gritty
and
riveting,
but
in
a
way
that
entertains
powerfully.
As
pulsating
and
funny
as
Trainspotting
but
without
the
yuck
factor.
Its
momentum
is
overpowering.
We
never
know
what
is
going
to
come
out
of
Mia's
mouth
or
where
events
will
lead.
Each
jaw-dropping
new
scene
surprises
yet
seems
the
result
of
inexorable
momentum.
As
if
that
wasn't
enough,
the
story
mercifully
avoids
kitchen-sink
drama,
excessive
violence,
drugs,
getting
pregnant,
grand
larceny,
car
crashes
and
all
the
other
cliché-ridden
devices
to
which
cinema-goers
are
usually
subjected.
Tightly
controlled,
Fish
Tank
attacks
with
a
potent
and
thought-provoking
arsenal
of
story-telling.
Andrea
Arnold
proved
she
could
do
hard-hitting
realism
with
her
award-winning
debut,
Red
Road.
Here
she
excels
her
earlier
efforts
but
still
imbibes
many
of
the
verité
approaches
and
senses
of
discipline
that
have
filtered
down
from
the
Dogme
and
Advance
Party
movements.
Her
'strong
initial
image,'
or
lack
of
subservience
to
more
traditional
methodology,
maybe
reminds
of
the
devotion
to
experimental,
avant-garde
cinema
taken
by
artists-turned-filmmakers
such
as
Steve
McQueen
(Hunger)
or
theme-over-story
technicians
such
as
Duane
Hopkins
(Better
Things).
Michael
Fassbender,
who
took
reality
to
new
heights
as
Bobby
Sands
in
Hunger,
here
plays
the
mystifying
and
warmly
charismatic
Connor
(Mum's
boyfriend).
Arnold
didn't
allow
actors
to
read
the
script
beforehand.
They
were
given
their
scenes
only
a
few
days
before
filming.
For
the
part
of
Mia,
she
chooses
a
complete
unknown
with
zero
experience.
Arnold
spotted
Katie
Jarvis
at
a
train
station
after
drawing
a
blank
with
casting
agencies.
"She
was
on
one
platform
arguing
with
her
boyfriend
on
another
platform,
giving
him
grief."
However
the
performance
is
achieved,
Jarvis
is
electrifying.
If
Arnold
wanted
a
'real'
person
for
the
role,
this
seventeen-year-old
takes
over
the
screen
with
raw
adolescent
power.
Says
Arnold,
"I
wanted
a
girl
who
would
not
have
to
act,
could
just
be
herself."
Fish
Tank
will
lift
you
out
of
your
seat
and
on
an
unstoppable
flight,
ricocheting
against
confines
of
circumstance
and
imploding
a
dysfunctional
family
with
its
head
of
hormonal
steam.
Laugh,
cry,
hold
on
tight.
You
will
need
to.
I
could
almost
taste
the
vodka,
as
Mia
goes
through
her
Mum's
dressing
table
drawers,
bottle
in
hand.
I
wish
all
British
films
were
this
good.

② 通過魚缸拍攝電影的意義

朦朧意境，或者一絲神秘感

③ 魚缸這個電影講的是什麼

魚缸是2009年安德里亞·阿諾德執導的電影，整個故事都是圍繞著一個名叫米婭（凱蒂·賈維斯飾）的少女展開的，15歲的她因為青春期的無所適從，結果變得情緒波動異常地強烈、性格方面也極其不穩定，並因此給自己招惹上一大堆麻煩，使得她不僅被學校拒之門外，就連她的好朋友們也一個接著一個地與她絕交了。在一個炎熱的夏日，米婭的媽媽喬安妮（凱爾絲通·沃爾英飾）將一個名叫康納（邁克爾·法斯賓德飾）的新男友帶回到家中，他向她們承諾可以改變一切不好的現狀，讓她們的生活中重新充斥著溫暖與愛。對15歲的Mia來說，一切都改變了。她可以叛逆，逃課，追隨朋友沉溺在玩樂之中，而不需要擔心什麼。但是這個神秘的男人，承諾會改變她的家庭，最後她發現，他也帶來了親情。

④ 魚缸的影片評價

影片是關於我們這個時代的獨特的神話。它關乎現實，又關注心靈；時而殘酷，時而又無比溫暖。
——BBC電影

⑤ 有部電影場景,魚缸里的魚跟著主角走，主角坐沙發上，身後是魚缸，他動魚群限動，很搞笑的

蒸發密令 96年的電影 施瓦辛格飾演美國聯邦局保護證人計劃組的高級將領，專責保護生命受威脅的證人，把他們的身分證明徹底消滅，另將一個新的身份給他們，令他們可重過新生活。新的任務是保護製造防衛武器公司的高級職員，後者發現公司秘密製造超級激光槍——一種已被禁止製造的超級武器。上司在事件敗露後吞槍自殺。她身陷險境，唯一可以救她的就是阿諾。沒想到阿諾這回要面對的是內部的奸細，驚險莫名的殺戮隨即展開了

⑥ 電影《魚缸》為什麼叫魚缸！

對於這個名稱導演拒絕做解，讓觀眾自己想像。
fish tank，外化就是一個窒息、封閉的生活環境，內化就是女主人公壓抑的內心和生活狀態。
影片開頭表現得最明顯，密閉空間，藍色背景，仰頭喘息

⑦ 電影魚缸什麼時候上映

89年的 故事由童話《海的女兒》而來，但結尾卻是大團圓結局。 小美人魚 The Little Mermaid: Ariel's Beginning (2008) 小美人魚 重返大海 本片劇情接續《小美人魚》電影，主要是由多倫多和雪梨兩地的迪士尼動畫部門所共同製作，故事主要是敘述Ariel和Eric 在陸地成親後，後來有了一個女兒，名字叫做Melody，這個小女孩並不知道自己有一半的美人魚血統，她一心嚮往美人魚的海底世界，希望能夠變成美人魚徜徉在大海之中，跟她媽媽當年正好相反！海巫婆Ursula的妹妹Morgana一心要為她的姐姐復仇，於是就利用Melody，說可以幫忙把她...

⑧ 誰知道這部電影叫什麼，就是一條美人被人類捉住關進一個封閉的魚缸里

你好

這部電影是

加勒比海盜

《加勒比海盜：驚濤怪浪》（Pirates of the Caribbean: On Stranger Tides）是一部於2011年上映的奇幻冒險電影，是加勒比海盜系列電影的第4部。羅伯·馬歇爾取代前三集的導演戈爾·維賓斯基擔當本片導演一職，傑瑞·布洛克海默繼續出任製片人，約翰尼·德普、佩內洛普·克魯茲、伊恩·麥柯肖恩、傑弗里·拉什主演。

影片故事以傑克船長尋找不老泉為主線。佩內洛普·克魯茲飾演他的老情人，但讓傑克船長不確定的是，她究竟是因愛情而來、還只是想利用他來找到傳說中的不老泉。這個女人強迫他上了黑鬍子的海盜船，傑克再次踏上了一條吉凶未卜的旅程。這次他可能面對兩個對手：自己的神秘老情人以及可怕的黑鬍子海盜。

滿意請採納

⑨ 電影《霸王別姬》中的金魚表達了什麼

電影是一個符號系統，這個系統的內容是多樣的。在這部影片中，金魚這個意向，曾在影片中多次出現，只不過我們會因為太過投入影片的敘事，而將其忽略。

逃避現實的蝶衣在家中吸鴉片時，床榻的前面正是一架朦朧的金魚屏風。屏風上的數尾金魚在水草間游動穿梭，而在屏風後面，程蝶衣在吸食著鴉片，而屏風的另一面，戲園經理那坤正在邊念邊燒掉蝶衣寫給母親而從未寄出的書信。

程蝶衣大煙癮發作的時候，金魚在水中游動的音效不絕於耳。程蝶衣瘋狂地撕扯家裡的東西，捶打牆上的鏡框。此時，影片鏡頭推近，給了魚缸這個象徵性符號以特寫鏡頭，將動態圖像、動素和動態結構完美地呈現在我們面前，將我們拉入到一個全新的「象徵界」。

隨後，鏡頭上拉，鳥瞰整個房間。此時的房間早已被程蝶衣破壞得零落不堪，各種戲服散落在地，與段小樓的合影統統被砸得稀碎。唯獨那個魚缸，安然靜立在床邊，反而成為了整個場景中一個突兀的存在。

當蝶衣稍微平靜下來後，產生了兒時的幻覺，在菊仙的懷中不停地念叨「娘，凍冰了，好冷。」在鏡框的邊緣，幾尾金魚在魚缸中悠閑自得地游著，靜謐安然。

電影的符號是由影像和聲音構成的，是觀眾可以直接感知的實在的物質形態。在電影中，意義和所指物應該是合二為一的，它是通過自身表達意義的,隱喻性的認識，也暗含著表述性的思想。

我認為，影片中的金魚和程蝶衣一樣，都是被觀賞的角色。金魚姿態各異，體型優美。金魚因美而獲得生存價值，而蝶衣亦是無數人心中美的體現。另一方面，金魚是由鯽魚演化而來，從鱗片形狀到鱗片數目，從頭部形態到背鰭變異。可以說，金魚是歷經了歲月洗禮的存在。同樣，程蝶衣之所以能成為一個名旦，正是因為經歷了太多的磨礪與苦難。

在李碧華的原著中，蝶衣的房間里最多的是鏡子。而在影片中，則將鏡子換為了金魚。對蝶衣而言，自己的世界就是那方魚缸，他終其一生都想沉溺在自己的世界中，不管世事變遷，外界大戲不斷。程蝶衣的世界始終看似圓滿，但卻容易支離破碎。他就如同缸中之魚，始終在渴望著認同與庇護。