电影鱼缸讲的什么

① 急求电影鱼缸 英文影评

你好!这是IMDB网(国外的影评网站)上最热门的《鱼缸》"Fish
tank"的影评--
"All
my
films
have
started
with
an
image,"
says
director
Andrea
Arnold.
"It's
usually
quite
a
strong
image
and
it
seems
to
come
from
nowhere.
I
don't
understand
the
image
at
first
or
what
it
means,
but
I
want
to
know
more
about
it
so
I
start
exploring
it,
try
and
understand
it
and
what
it
means.
This
is
how
I
always
start
writing."
What
does
the
image
of
a
fish
tank
conjure
up
for
you?
On
the
inside
longing
to
look
out,
is
fifteen-year-old
Mia.
Trapped
in
a
housing
estate.
Trapped
in
a
single
parent
family.
Trapped
by
people
around
her
she
can't
respect.
Trapped
in
herself.
For
being
fifteen.
She
has
her
own
inner
world,
fighting
to
manifest
itself
.
Fortified
by
cigarettes
and
alcohol
she
can
kick
in
the
door
of
the
empty
nearby
flat.
A
bare
floor.
Her
CD
player.
Practice
her
moves.
A
better
dancer
than
those
kids
on
the
block
she
just
nutted.
Mia
is
quite
content
to
carve
out
her
own
double
life,
f*ck
you
very
much!
Never
mind
she
gets
caught
and
nearly
comes
to
grief
trying
to
steal
a
horse.
And
social
workers
don't
scare
her.
But
mom's
new
boyfriend
–
that
could
be
a
pain!
A
real
spanner
in
the
works.
Especially
when
he's
so
annoyingly
nice.
Under
Andrea
Arnold's
hand,
life
on
this
inner
city
concrete
backwater
is
suddenly
very
alive.
Banalities
become
beautiful.
Like
sunlight
through
cracked
glass.
Vibrant,
gritty
and
riveting,
but
in
a
way
that
entertains
powerfully.
As
pulsating
and
funny
as
Trainspotting
but
without
the
yuck
factor.
Its
momentum
is
overpowering.
We
never
know
what
is
going
to
come
out
of
Mia's
mouth
or
where
events
will
lead.
Each
jaw-dropping
new
scene
surprises
yet
seems
the
result
of
inexorable
momentum.
As
if
that
wasn't
enough,
the
story
mercifully
avoids
kitchen-sink
drama,
excessive
violence,
drugs,
getting
pregnant,
grand
larceny,
car
crashes
and
all
the
other
cliché-ridden
devices
to
which
cinema-goers
are
usually
subjected.
Tightly
controlled,
Fish
Tank
attacks
with
a
potent
and
thought-provoking
arsenal
of
story-telling.
Andrea
Arnold
proved
she
could
do
hard-hitting
realism
with
her
award-winning
debut,
Red
Road.
Here
she
excels
her
earlier
efforts
but
still
imbibes
many
of
the
verité
approaches
and
senses
of
discipline
that
have
filtered
down
from
the
Dogme
and
Advance
Party
movements.
Her
'strong
initial
image,'
or
lack
of
subservience
to
more
traditional
methodology,
maybe
reminds
of
the
devotion
to
experimental,
avant-garde
cinema
taken
by
artists-turned-filmmakers
such
as
Steve
McQueen
(Hunger)
or
theme-over-story
technicians
such
as
Duane
Hopkins
(Better
Things).
Michael
Fassbender,
who
took
reality
to
new
heights
as
Bobby
Sands
in
Hunger,
here
plays
the
mystifying
and
warmly
charismatic
Connor
(Mum's
boyfriend).
Arnold
didn't
allow
actors
to
read
the
script
beforehand.
They
were
given
their
scenes
only
a
few
days
before
filming.
For
the
part
of
Mia,
she
chooses
a
complete
unknown
with
zero
experience.
Arnold
spotted
Katie
Jarvis
at
a
train
station
after
drawing
a
blank
with
casting
agencies.
"She
was
on
one
platform
arguing
with
her
boyfriend
on
another
platform,
giving
him
grief."
However
the
performance
is
achieved,
Jarvis
is
electrifying.
If
Arnold
wanted
a
'real'
person
for
the
role,
this
seventeen-year-old
takes
over
the
screen
with
raw
adolescent
power.
Says
Arnold,
"I
wanted
a
girl
who
would
not
have
to
act,
could
just
be
herself."
Fish
Tank
will
lift
you
out
of
your
seat
and
on
an
unstoppable
flight,
ricocheting
against
confines
of
circumstance
and
imploding
a
dysfunctional
family
with
its
head
of
hormonal
steam.
Laugh,
cry,
hold
on
tight.
You
will
need
to.
I
could
almost
taste
the
vodka,
as
Mia
goes
through
her
Mum's
dressing
table
drawers,
bottle
in
hand.
I
wish
all
British
films
were
this
good.

② 通过鱼缸拍摄电影的意义

朦胧意境，或者一丝神秘感

③ 鱼缸这个电影讲的是什么

鱼缸是2009年安德里亚·阿诺德执导的电影，整个故事都是围绕着一个名叫米娅（凯蒂·贾维斯饰）的少女展开的，15岁的她因为青春期的无所适从，结果变得情绪波动异常地强烈、性格方面也极其不稳定，并因此给自己招惹上一大堆麻烦，使得她不仅被学校拒之门外，就连她的好朋友们也一个接着一个地与她绝交了。在一个炎热的夏日，米娅的妈妈乔安妮（凯尔丝通·沃尔英饰）将一个名叫康纳（迈克尔·法斯宾德饰）的新男友带回到家中，他向她们承诺可以改变一切不好的现状，让她们的生活中重新充斥着温暖与爱。对15岁的Mia来说，一切都改变了。她可以叛逆，逃课，追随朋友沉溺在玩乐之中，而不需要担心什么。但是这个神秘的男人，承诺会改变她的家庭，最后她发现，他也带来了亲情。

④ 鱼缸的影片评价

影片是关于我们这个时代的独特的神话。它关乎现实，又关注心灵；时而残酷，时而又无比温暖。
——BBC电影

⑤ 有部电影场景,鱼缸里的鱼跟着主角走，主角坐沙发上，身后是鱼缸，他动鱼群限动，很搞笑的

蒸发密令 96年的电影 施瓦辛格饰演美国联邦局保护证人计划组的高级将领，专责保护生命受威胁的证人，把他们的身分证明彻底消灭，另将一个新的身份给他们，令他们可重过新生活。新的任务是保护制造防卫武器公司的高级职员，后者发现公司秘密制造超级激光枪——一种已被禁止制造的超级武器。上司在事件败露后吞枪自杀。她身陷险境，唯一可以救她的就是阿诺。没想到阿诺这回要面对的是内部的奸细，惊险莫名的杀戮随即展开了

⑥ 电影《鱼缸》为什么叫鱼缸！

对于这个名称导演拒绝做解，让观众自己想象。
fish tank，外化就是一个窒息、封闭的生活环境，内化就是女主人公压抑的内心和生活状态。
影片开头表现得最明显，密闭空间，蓝色背景，仰头喘息

⑦ 电影鱼缸什么时候上映

89年的 故事由童话《海的女儿》而来，但结尾却是大团圆结局。 小美人鱼 The Little Mermaid: Ariel's Beginning (2008) 小美人鱼 重返大海 本片剧情接续《小美人鱼》电影，主要是由多伦多和雪梨两地的迪士尼动画部门所共同制作，故事主要是叙述Ariel和Eric 在陆地成亲后，后来有了一个女儿，名字叫做Melody，这个小女孩并不知道自己有一半的美人鱼血统，她一心向往美人鱼的海底世界，希望能夠变成美人鱼徜徉在大海之中，跟她妈妈当年正好相反！海巫婆Ursula的妹妹Morgana一心要为她的姐姐复仇，于是就利用Melody，说可以帮忙把她...

⑧ 谁知道这部电影叫什么，就是一条美人被人类捉住关进一个封闭的鱼缸里

你好

这部电影是

加勒比海盗

《加勒比海盗：惊涛怪浪》（Pirates of the Caribbean: On Stranger Tides）是一部于2011年上映的奇幻冒险电影，是加勒比海盗系列电影的第4部。罗伯·马歇尔取代前三集的导演戈尔·维宾斯基担当本片导演一职，杰瑞·布洛克海默继续出任制片人，约翰尼·德普、佩内洛普·克鲁兹、伊恩·麦柯肖恩、杰弗里·拉什主演。

影片故事以杰克船长寻找不老泉为主线。佩内洛普·克鲁兹饰演他的老情人，但让杰克船长不确定的是，她究竟是因爱情而来、还只是想利用他来找到传说中的不老泉。这个女人强迫他上了黑胡子的海盗船，杰克再次踏上了一条吉凶未卜的旅程。这次他可能面对两个对手：自己的神秘老情人以及可怕的黑胡子海盗。

满意请采纳

⑨ 电影《霸王别姬》中的金鱼表达了什么

电影是一个符号系统，这个系统的内容是多样的。在这部影片中，金鱼这个意向，曾在影片中多次出现，只不过我们会因为太过投入影片的叙事，而将其忽略。

逃避现实的蝶衣在家中吸鸦片时，床榻的前面正是一架朦胧的金鱼屏风。屏风上的数尾金鱼在水草间游动穿梭，而在屏风后面，程蝶衣在吸食着鸦片，而屏风的另一面，戏园经理那坤正在边念边烧掉蝶衣写给母亲而从未寄出的书信。

程蝶衣大烟瘾发作的时候，金鱼在水中游动的音效不绝于耳。程蝶衣疯狂地撕扯家里的东西，捶打墙上的镜框。此时，影片镜头推近，给了鱼缸这个象征性符号以特写镜头，将动态图像、动素和动态结构完美地呈现在我们面前，将我们拉入到一个全新的“象征界”。

随后，镜头上拉，鸟瞰整个房间。此时的房间早已被程蝶衣破坏得零落不堪，各种戏服散落在地，与段小楼的合影统统被砸得稀碎。唯独那个鱼缸，安然静立在床边，反而成为了整个场景中一个突兀的存在。

当蝶衣稍微平静下来后，产生了儿时的幻觉，在菊仙的怀中不停地念叨“娘，冻冰了，好冷。”在镜框的边缘，几尾金鱼在鱼缸中悠闲自得地游着，静谧安然。

电影的符号是由影像和声音构成的，是观众可以直接感知的实在的物质形态。在电影中，意义和所指物应该是合二为一的，它是通过自身表达意义的,隐喻性的认识，也暗含着表述性的思想。

我认为，影片中的金鱼和程蝶衣一样，都是被观赏的角色。金鱼姿态各异，体型优美。金鱼因美而获得生存价值，而蝶衣亦是无数人心中美的体现。另一方面，金鱼是由鲫鱼演化而来，从鳞片形状到鳞片数目，从头部形态到背鳍变异。可以说，金鱼是历经了岁月洗礼的存在。同样，程蝶衣之所以能成为一个名旦，正是因为经历了太多的磨砺与苦难。

在李碧华的原著中，蝶衣的房间里最多的是镜子。而在影片中，则将镜子换为了金鱼。对蝶衣而言，自己的世界就是那方鱼缸，他终其一生都想沉溺在自己的世界中，不管世事变迁，外界大戏不断。程蝶衣的世界始终看似圆满，但却容易支离破碎。他就如同缸中之鱼，始终在渴望着认同与庇护。